After painting in color for 25 years, Alejandre began working in black and white, becoming completely focused on creating monochromatic works. His trademark crosshatching is created by gessoing and sanding the surface of the canvas or panels and then beginning work with pencil. A single piece of art can take over 5 months to complete, with the artist working 10 to 12 hours a day, and can use over 700 pencils.
In 2013, Alejandre was announced as one of eight grantee artists whose art would be installed at one of the Los Angeles Metro stations along the new Expo line that runs from downtown Los Angeles to Santa Monica beach. His twelve panels, “Panoramas,” are displayed at the Rancho Park/Westwood station. Panels “depict the legs of travelers headed to their destinations: a business professional with her rolling briefcase, a parent with a stroller, and a hummingbird in flight,” creating “story of place through the act of commuting.”[7] His gallery work focuses around issues of machismo and masculinity and he uses art “as a means to acknowledge and process what he confesses to be ‘past insecurities, insults, and painful memories.’”
Alejandre created murals for the 1984 Olympic Games and in 2005 curated and staged an exhibition of Mexican and American artists on the border fence in Mexicali/Calexico border. In 2011, he worked with the gallery, Avenue 50 Studio, a recipient of Southern California Council for the Humanities grant on “Resurrected Histories: Voices from the Chicano Arts Collectives of Highland Park.” His art is featured in the book Drawing from the Inside Out: Projects for Beginning through Advanced Drawing.
Artist’s Website: